Sony FX2 Leaks: 6K Full-Frame Cinema Camera, Compact Body & Sub-$3K Price Expected

Intro Sony has officially lifted the curtain on the FX2, a hybrid full-frame cinema camera that slots between the FX3 and the a7 IV while undercutting both on price. With a launch tag of $2,699 body-only and shipping slated for August 2025, the FX2 targets solo filmmakers, YouTubers, and small-crew production houses who want pro-level codecs and an actual EVF without abandoning still-photo performance. Key Specs at a Glance • 33 MP back-illuminated Exmor R sensor (dual-base ISO 800/4000) • Oversampled 7K → 4K up to 30 p (full-width) • 4K/60 p in Super 35 crop, Full HD/120 p slow-motion • 10-bit 4:2:2 All-Intra & Long-GOP, H.265 and H.264 options • S-Log3, S-Cinetone, importable user LUTs (16 slots) • Mechanical shutter, 10 fps bursts, 1/160 s flash sync • New 3.68 M-dot tilting EVF + 3.0″ vari-angle LCD • AI subject recognition AF for people, animals, birds, insects & vehicles • Active and Dynamic Active IBIS, Catalyst Gyro metadata • Dual card slots (CFexpress A/SD + SD) and full-size HDMI • Up to 13-hour 4K/60 p record time with active cooling Why the FX2 Matters 1. True Hybrid Body Until now, Sony’s Cinema Line cameras sacrificed stills usability. The FX2 fixes that with a dedicated Movie/Still switch, mechanical shutter, and deep photo menus. It’s essentially an a7 IV sensor wrapped in an FX-style video shell. 2. First FX-Series EVF Cinematographers who dislike the FX3’s monitor-only approach finally get a tilting 0.70× viewfinder—critical for bright-sun work or shoulder rigs. 3. Budget-Friendly Cinema Features Internal 10-bit All-I, timecode sync, LUT preview, Big-6 quick menu, and a redesigned fan bring high-end workflow tools to the $2.7 k tier. 4. Upgrade Path for Creators Existing a7 IV or FX30 owners gain oversampled 4K, better audio (optional XLR-H1 handle), and cage-free mounting points without jumping to the $3.9 k FX3. Real-World Use Cases • Run-and-gun documentaries: 13-hour 4K reliability + Dynamic Active stabilisation keeps footage steady during handheld interviews. • Live streaming: UVC/UAC lets the FX2 act as a driver-free 4K webcam via USB-C. • Narrative shorts: Full-size HDMI outputs 16-bit RAW while recording 10-bit internally, giving DITs flexible post-production pipelines. • Hybrid wedding coverage: Switch to photo mode for 33 MP stills with Log curve for seamless grade matching. FX2 vs. Competitors • Sony FX3 – Same codecs, but FX2 adds EVF, mechanical shutter, and costs $1.2 k less. • Panasonic S1 IIE – 24 MP partially-stacked sensor delivers 6K open-gate, but body is larger and lacks Sony’s AF tracking finesse. • Canon R5 C – 8K RAW headline spec, yet overheats sooner; no in-body stabilisation. • Blackmagic Cinema Camera 6K FF – Internal BRAW and ProRes, no phase-detect AF, no stills mode, no EVF. Early Verdict The Sony FX2 isn’t a revolutionary sensor leap, but it shrewdly combines filmmaker must-haves—All-I recording, LUT workflow, pro audio—into the lightest, most affordable full-frame Cinema Line package to date. Add an EVF and credible stills chops, and it becomes the camera many wished the FX3 had been at launch. Pre-Order & Availability Pre-orders are live through major retailers now. Body-only: $2,699 USD / $3,499 CAD. Kit with XLR-H1 audio handle: $3,099 USD. First units are expected to reach customers in August 2025. Frequently Searched Questions Q: Does the FX2 have Netflix approval? A: Certification hasn’t been announced yet, but prior FX models (FX3, FX6) gained approval, so the FX2 is likely to follow. Q: Can I record 4K/120 p? A: Not internally; maximum is Full-HD/120 p. External RAW tops out at 4K/60 p. Q: How does rolling shutter compare to a7 IV? A: Sony hints it’s similar—good in full-frame 30 p but crop or 24 p modes still minimize skew for fast pans. Bottom Line If you’re building a kit in 2025 and need a compact, full-frame cinema camera that doubles as a 33 MP photo body, the Sony FX2 should be on your short list. It underlines Sony’s strategy of blurring the line between Alpha and Cinema Line—and raises the bar for hybrid cameras under $3 k.