Why Everyone Is Searching Domhnall Gleeson Right Now: New Project Reveal & Hidden Career Gems

Domhnall Gleeson is having a watershed moment this September, head-lining a pair of buzzy projects that showcase his range from small-screen satire to big-screen folklore adventure. Hollywood’s favorite chameleon steps into the mock-doc spotlight Peacock premieres “The Paper” on 5 September, the long-rumored workplace comedy spun out of the creators of “The Office.” Gleeson leads as Ned Sampson, an eager-but-inept editor tasked with reviving the failing Toledo Truth-Teller, while “Office” alum Oscar Nuñez returns as numbers-cruncher-turned-newsroom accountant Oscar Martinez. Early footage hints at deadpan hijinks, higher real-world stakes and Easter-egg callbacks that should keep Dunder Mifflin die-hards glued to their screens. Big-screen folklore: production wraps on “The Incomer” Simultaneously, cameras have just stopped rolling on Scottish folk comedy “The Incomer,” director Louis Paxton’s debut feature. Gleeson plays an awkward council worker who upends two island siblings’ myth-laden existence; “House of the Dragon” standout Gayle Rankin co-stars. Shot in the dramatic Highlands, the film blends selkie-tinged legend with quirky humor and counts backing from the BFI and Screen Scotland, signaling awards-season potential when it sails into festivals next year. Why this double punch matters • Search demand for “Domhnall Gleeson,” “The Paper,” and “The Incomer” has spiked ahead of the series launch and film-festival calendar. • Streaming momentum: Peacock is banking on built-in “Office” nostalgia to drive subscriptions, positioning Gleeson as the franchise’s new face. • Indie credibility: “The Incomer” taps into the Celtic-myth revival trend (“The Banshees of Inisherin,” “Wolfwalkers”) while giving Gleeson another potential awards vehicle. Career renaissance in real time Best known for “Ex Machina,” “Star Wars,” and “Harry Potter,” Gleeson now balances blockbuster pedigree with auteur-friendly fare. Industry insiders note that signing onto both a high-profile streaming sitcom and a whimsical indie cements his status as one of Ireland’s most versatile exports. What’s next? • Press junkets begin this week in New York and London, with Gleeson expected to tease crossover cameos in “The Paper.” • Festival programmers are circling “The Incomer,” eyeing Sundance or Berlin for its world premiere. • Rumors persist that Gleeson will reunite with “Ex Machina” director Alex Garland on an undisclosed sci-fi epic in 2026. Bottom line With “The Paper” set to stream into millions of living rooms and “The Incomer” poised for the arthouse circuit, Domhnall Gleeson is engineered for a breakout autumn that could redefine his trajectory—and dominate entertainment headlines all season long.